GULPING AIR – KLEIN BOTTLE HAT

Deadlines turn out to be intense but manageable, leaving me a bit of time to get some knitting done. The hat is progressing well, although I had to recast my yarn choice to something lighter. Two thicknesses of K2P2 ribbing in worsted seems too heavy for comfortable wear. So I dug down in my yarn boxes and came up with some lighter leftovers brazenly liberated about ten years ago from my mothers’ stash.

Unger Britania was a Shetland-type yarn of exceptional quality – lofty, soft, stretchy and supple. It’s native gauge covers the range between fingering (knit way down, compressing the loft) to DK (knit very loosely, letting the loft fluff out to fill in the stitches). It worked best at sport weight (6 spi). Mom had done an adult size Intarsia piece with it (possibly an Argyle) but ended up ripping it completely out and re-knitting most of the yarn into something else for a smaller individual. The leftovers are evenly divided among the colors with some virgin skeins, and a few balls made up of short lengths of about 5 yards each. Some fragments are longer, some shorter. I’m starting with the leftovers, spit splicing the short yardage pieces. I am also spit splicing color joins so that there will be no ends to darn in on this one-side/two-sided piece. My striping is rather haphazard. I knit until I run out of a color bit, then decide if I want to splice on the next same-color piece of unknown length, or if I want to shift to the next color.

I’m about a third of the way done, and due to the smaller gauge am more or less winging it, holding onto the dimensions and shaping proportions of the original pattern, but blissfully ignoring stitch count directions. For the record, I’m getting about 8spi in very stretchy K2P2 rib, on US #4s.

kleinhat-1.jpg

The result, given the 1970s color set and random width striping pattern the result looks rather Whovian. My target nerdpal will be ecstatic.


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ON THE OUTSIDE LOOKING OUTSIDE

Another descent into deadline hell looms on my imminent event horizon. Now in the past faced with something like this I’ve dropped all knitting, hung up the blog, ignored wiseNeedle, and pared my life back to the basics: work, do what family maintenance I can, eat, sleep. In that order of precedence. This time I’ll try not to disappear completely. At the very least I’ll farm wiseNeedle, even if I don’t have time to blog. Also I intend to keep a small project going as a stress valve. (Better that than loll in caffeine and chocolate).

I need something that’s pretty mindless, but not so totally dull as to be totally boring. Something new so that there’s a modicum of interest. Huge needles (huge for me at least) so progress is tangible. Socks are right out. Perhaps a hat. An unusual hat…

In fact I think I know the very thing. I make no secret that I fall on the geeky side of normal. I’m an aging grrlnerd with lots of friends who would wear Star Trek Underoos if they came in adult sizes; guys and gals who find joy in mathematical humor, and who view visual puns as an ultimate art form. (I say this with affection and respect, because as a group they exhibit amazing creativity, and wit, and are just plain fun to be around.) So if one of them – a self-described and documented ubergeek – deserves a special gift, what better than a Klein bottle hat?

Some of you reading this are saying “Hey! Cool! I want one, too.” Others are wondering what the heck a Klein bottle is. And I’m sure a couple of you are curious as to why one would need a hat. One might even ask “Where would a Klein bottle wear a hat?” The answer of course being “On the outside.”

babyinhand2.jpgkhat2.jpg

(Bottle image shamelessly borrowed from Acme Klein Bottles, a source for all your topological oddity needs.)

There are far more erudite and far more scholarly explanations of what exactly a Klein bottle is than I could ever offer. It belongs to the same family of topological oddities as does the Mbius strip, another one-surface entity. In effect unlike spheres, cubes or pyramids that form an unbroken skin around an interior space, it’s a solid object that instead of having an outside and an inside, has only one side – the outside. Or the inside. (Which one is present in a Klein bottle is open to debate, but whatever the answer is, there’s only one of them.) The artifacts you see are actually representations of the Klein bottle concept because as a multidimensional trick played on the universe, one can exist as thought but can’t be truly built in the paltry three spatial dimensions we inhabit.

I am far from being the first person to knit up something like this. Acme has a nice selection of ready made Klein Bottle hats. There are several patterns on the web if you want to knit your own. Knitty did one; a good pattern but it’s not my favorite. I think it looks more like a teapot lacking a spout than anything else. There’s one by Sarah-Marie Belcastro, whose joy in her own mathematical geekitude is contagious. (She’s got lucky students). It’s very cool looking, but I think the intended recipient would find it a bit too massive. And there’s another all-prose pattern that I remember being offered as a holiday gift exchange pattern was back in the ancient days of the KnitList, circa ’94. Woolworks has it on archive.

The one I am taking for inspiration is none of the above. It’s by Nathanael Berglund, the sketchiest pattern of all but with a pleasing and recognizable shape. I think it’s conceptualized just enough to provide me with fodder for (minimal) thought. The simple shaping will be just complex enough to keep my interest, yet not so daunting as to require me to slavishly knit to the pattern. And at a DK or worsted gauge will go quite quickly.

So I as I trot along the sorry slope to yet another personal hell, I’ll be trotting along with an air of distraction. Not exactly overjoyed, but glad to know that my ultra-nerdy destressing mechanism is prepared in my backpack, sharing room with my computers and waiting for the least bit of “hurry up and wait” time to be appreciated.


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1941 VEST – FINISHED

My ultra quick 1941 vest project is finished. That’s 7 days from cast-on to finishing off the final end. Considering I only knit an hour or two a day, that’s lightning quick.

minvest-5.jpg f-in-vest

The fit is a bit different from most contemporary patterns. For one, the shoulders are wide and shaped, and the armholes aren’t gappy. My tiny cut-out at the back of the neck rides well with a golf shirt’s collar, and the length is just what he wanted. The fabric is soft and lofty. Since I rarely knit for him and the few times I have the results haven’t been optimal (mostly too big or too warm), I’m delighted to have produced a winner.

On the yarn – I think Cascade 220 is a yarn that’s overlooked in the mad scramble to Merinos. Yes, it’s not a Merino, and doesn’t have that silky hand. But it’s not an itchy or stiff yarn, and knits up quite nicely. The number of ends to finish off are minimized because of this yarn’s superior ability to spit-splice, and the 220 yard skeins. In terms of care, it’s quite pill-resistant. I’ve made several things from it, and have never found any flaws in it. Not so much as a knot. So pause a bit in your haste to knit this stuff up only if fulling/felting is your goal. Try some out for a non-shrunk garment. I think you’ll be pleased with the result.

As promised, here’s a modern pattern for the thing in Size 46. To make life simpler for us all, I’ve used Sweater Wizard to construct it.

Man’s 1941 Style Vest in Garter Stitch, a Redaction from Minerva #46
(c) 2006, 2007, 2013 Kim Brody Salazar

orig-pattern fvest-diag

Needles: 7, plus size 6 circs or DPNs for finishing armholes and neck ribbing. One stitch marker.
Gauge:4.5 sts10 rws per 1″ Estimated Ydg: 1212 yards standard worsted weight yarn with a native stockinette gauge of 5 stitches = 1 inch.

Back

With rib needle, cast on 102 sts. Estab rib pat on Row 1: *K2 , P2. Repeat from *. End K2 . Work 29 rws. On row 30, increase as below. [2.75″].

Rib-to-Body Inc Row
6 incs total done this way: Work 14 [inc 1 in next st, work 13, inc 1 in next st, work 14] 2x. [inc 1 in next st, work 14] 2x. (108 sts) With body needle, work in pat st until piece meas 14.5″[row 118].

Armhole Shaping
Bind off 6 sts at beg of next 2 rws. Dec 1 st each side, every other row 5x. Cont in pat st until piece meas 25.5″ from start [row 228].

Shape Shoulders and Back Neck
Bind off 7 sts beg of next row. At beg of next row, bind off 7 sts, work 14 sts, attach a second ball of yarn and bind off 42 back neck sts. Complete row. At beg of next row, bind off 7 sts and dec 1 st at each neck edge.Bind off 7 sts beg of next row. Bind off 7 sts beg of next 2 rws. End off.

Front

Work as for back, including all shaping,and, at the same time when piece meas 16.1″ [row 134]

Begin Neck Shaping
Work to center, attach another ball of yarn and complete row.Turn. Work both sides at once. Dec 1 st at each neck edge every 2nd rw 3x, then every 4th rw 19x. Cont in pat st until piece meas 25.5″ from start [row 228].

Shape Shoulders
Work shoulder shaping (at shoulder edge) to correspond with back.

Armhole Edging
Seam sides. Seam shoulders. With smaller size ndle, pick up 108 sts around armhole edge. Work in K2, P2 ribbing for five rows. Bind off loosely.

Neck Finishing
With smaller circular or dp needles and RS facing, pick up 48 sts from back neck, pick up 60 sts from left neck edge, place center marker, pick up 60 sts from right neck edge, place end of round marker. (168 sts).

Round 1, 3 and 5 – Work first round in K2, P2 rib until two stitch before the center marker. K2tog, slide marker to right hand needle. SSK, continue in K2, P2 ribbing taking care to match the sequence immediately after the centermost decreases to the sequence immediately before them.

Round 2 and 4 – Work in established pattern.

Bind off. Darn in all ends.


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1941 VEST – ALMOST DONE

As you can see, I’ve finished the back and front. I have sewn them together, and done the bit of ribbing around the V-neck. I’m now working on the bits of ribbing around the armholes.

minvest-2.jpg

The sleeve area on the right looks constricted because it’s on the needle right now. The ends of that circ are out of the shot. That’s also why the lower edge on the right is drawn up.

Seaming and picking up along garter stitch edges can be problematic, with the texture of the final stitches in the ridge and valley rows being difficult to pierce evenly. I cheated by using selvage stitches, both on the to-be-seamed edges and on neckline and armholes where ribbing stitches were to be picked up. This allowed me to do a more even pick-up, although the K2P2 rib texture off of garter stitch at this gauge will never be totally smooth.

In this detail of the neckline you can see the pick-up edge, plus the center front decreases that form the V:

minvest-3.jpg

When I did the side seams, I used mattress stitch on my selvage edges. I also did one cheat that made the waist ribbing a bit more even. In my stitch count, the ribbing for the back began and ended with a K2 section. When time came to work up the front, I made sure that the ribbing on the front began and ended with a P2 section. That way when the two were seamed together, the ribbing at the waist is not interrupted.

minvest-4.jpg

One more evening of sleeve ribbing, plus another to end off and another to do a light post-finish blocking (yes I was bad, and didn’t block my pieces before assembly).


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1941 VEST – THE V-NECK FRONT

I’m tooling along on the vest. I’ve got the front completed up to just a row or two below the point where the stitches at the bottom of the armholes are ended off. I’ve also looked more closely at the width of the shoulders and back of the neck. I’ve decided that at this point I really don’t want to make the back of the neck wider, nor do I want to make the armholes deeper. Therefore the shoulder pieces are going to remain the width they are now. Of course, if I get the thing assembled and TRM doesn’t like the fit, the possibility of ripping back and reknitting both pieces still exists. But for now I will carry on just carrying on.

Now, my original shoulder and back of neck widths are predicated closely on the width of the original pattern’s V-neck. Although I’ve sized up the rest of the sweater, doing the math indicated that the original opening would be adequate. Were I making this in an even larger size I would probably play with these proportions, but for this quickie redaction, I’m keeping the neckline’s progression of decreases more or less the same. I am however moving the entire unit down just a tad. Since that makes the thing deeper (but not wider) there will be a little bit of plain knitting with no neckline forming decreases at the top of the opening near the shoulders. If you look closely at the original pattern you’ll see that it also sports a similar coping strategy. My extra .75 inch isn’t going to make a huge difference here.

So I arrive at my pre-armhole point. Poised to begin the simultaneous shaping of the shoulders and the V-neck; well on my way to finishing this project in about 2.5 weeks. Pix tomorrow when there’s something more interesting to see.


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1941 VEST – SIZING UP

As you can see, I’ve made a fair bit of progress on my 1941 man’s vest. Here is the completed back:

minvest-1.jpg

The color is a bit darker and more heathered with a touch of gray than is the virulent cranberry reported in the photo.

Now to go from the original size 30 to my customized 46, I did a couple of things. First I measured The Resident Male and one of his favorite store-bought vests. Then we sat down and discussed what he liked and didn’t like about the historical vest. We came to this set of observations

  • He liked the ultra simple garter stitch texture
  • He liked the wide waist ribbing in contrast with the narrow armhole edge and neckline ribbing
  • He liked the K2 P2 ribbing texture
  • He liked the close fit
  • He wanted a deeper V because he’d be wearing the thing over golf shirts, and not over dress shirts with ties.
  • A closer look at the dimensions of the original rather than the photo revealed that the piece was longer than we originally thought, so no adjustments there were necessary.
  • He didn’t like the straight edge at the back of the neck, and preferred a tiny bit of contour there

So comparing his measurements and the original I come up with

Original Custom size
Length 25″ 25″
Chest width 30″ 46″
Bottom rib 3″ 3″
Other ribs 0.75″ 0.75″
Depth of V 9″ 10″
Armhole depth 12″ 10″ (from fave vest)
Back neck depth 0″ 0.75″
Shoulder width 3.5″ 5.25″

So I plugged my measurements into the original pattern, multiplying by the original gauge (which I achieved), and came up with the piece above. I knit the back first so I could become familiar with the armhole and shoulder shaping before adding the complication of the vee neckline. I also knew that because it has no vee, the back would take more yarn. If I consumed more than half of my yarn while knitting it, I’d know that I needed to buy another skein. As it was, I used two and a quarter skeins out of five, so I should have enough to finish.

To confirm my noodling (and because I had the tool at hand), I pulled out Sweater Wizard and typed my measurements into that, too. I came up with a pattern that was very close to my own hand-tinkered one – minus the erasures and bogus false starts. If I end up sharing the redaction, I’ll use the Sweater Wizard product for clarity and ease of use.

One lingering worry – the shoulders. They seem wide although they are comparable to the target store bought favorite vest’s measurements. I may go back and rip them out, increasing the width of the back neck and decreasing the width of the shoulders to about 4.5 inches. More thought here is required.


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ANOTHER REASON TO SUPPORT YOUR LOCAL YARN SHOP

Because they are in irreplaceable source of knowledge.

I swatched out several yarns that I had here in stash, trying out possibilities for my 1941 vest. Everything ranging from some navy/maroon ragg style Bartlett worsted (circa 1998) to a recent find from Webs – a tweedy garnet. The Bartlett is really an Aran or light bulky. I achieved gauge, but the sample stood up like cardboard. The Webs 2/4 Highland Tweed purports to be Aran to worsted in gauge (4.5 to 5 spi) but it knit up like a DK. Again I achieved gauge, but the sample looked meshy and sparse. I suspect that it would have bloomed a bit after I washed it, but in an added complication, TRM mentioned that he liked the color but hated the tweedy flecks. So it was off to my local yarn shop on a fishing expedition.

I went to Wild & Woolly in Lexington, MA – my knitting home-away-from-home. Now Jackie the owner is a knitter with decades more knitting experience than I have. She gave me an important bit of advice. When looking over patterns in these older booklets, don’t go by the gauge any yardage deductions based on just one project. Look at all the projects in the book that call for the same yarn. You’ll probably notice a discrepancy among them. So we did. A couple of the other patterns look closer to true worsted gauge than the light worsted/DK thoughts I had when I walked into the shop. To top it off she also remembers the Minerva (and later Columbia-Minerva) yarn specified. She steered me to Cascade 220 – which is slightly denser and less lofty than the Minerva but of similar gauge. The more airy nature of the Minerva is what threw me off, providing the extra yardage and making the stuff seem like a DK . So I bought some Cascade in a regal heathered burgundy and took it home.

I swatched it up and it was perfect. Spot on for gauge, with a soft hand and drape. So offering up thanks for the entire Wild & Woolly family I set to work on my vest project.

I measured the target recipient, plus one of his favorite store-bought vests that fits well. Then we sat down together and looked at the original pattern, pointing out fit and finish items that made it especially appealing, and other things that we might want to forgo. For example, TRM likes the depth of the V-neck, and the proportions of the waist and armhole/neckline ribbing, but is less enamored of the short length, tailored at the time to compliment pants worn with the higher, more formal waistline of the 1940s.

Then I looked at the pattern. I reproduce it here in its entirety, under fair use because I am using it to illustrate how to go about both reading an unusually formatted historical pattern, and how to go about redacting it for modern use.

minervapatt-2.jpg

You’ll notice that the write-up is much shorter than a modern pattern. There’s only one size given, plus a schematic with some notations on it and cursory working notes.

This pattern if translated straight would rely heavily on the schematic. The boxes represent a 1-inch square grid. Instructions on how to interpret notes like B-8 an D-1-7 are elsewhere in the pattern leaflet. Here’s what I start with – my interpretation of the original directions, plus a bit of editorializing.

“Eckhart” – Man’s 1941 Garter Stitch Vest from Minerva Hand Knits for Men in the Service, Vol. 62, size 30

Gauge in garter stitch: 4.5 st = 1 inch, 10 rows (5 garter ridges) = 1 inch

Back: Cast on 88 stitches. Work 3″ in K2,P2 rib. Then switch to garter stitch. Work even until piece measures 13 inches from bottom edge. Bind off 8 at the beginning of the next two rows. Then decrease one stitch at the right and left edge of the work every four rows. Do this edge reduction seven times total. At the end of the armhole decreases you will have 58 stitches. Work these 58 stitches even in garter stitch until the piece measures 11 inches from the under-arm bind off row and you end ready to work a right side row. Form shoulders by binding off four stitches at the beginning of the next four rows, then bind off three stitches at the beginning of the next six rows. Bind off remaining 24 stitches to form center back neck.

Front: Work as for back EXCEPT place a marker between stitch #44 and 45. On a right-side row when work measures approximately 15.5 inches from the bottom edge, knit to two stitches before the marker, K2tog. Then attaching a second ball of yarn, and starting with a SSK, work the rest of the row. Note that this happens BEFORE you finish making the underarm decreases, so watch for it.

You now have each side of the top front on either side of the V opening being completed from its own ball of yarn. From this point on you’ll be making paired decreases on either side of the opening on some right side rows, using a K2tog when indicated on the side that ends at the center, and a SSK on the side that begins at the center. Work three of these decrease pairs spaced approximately 1/2 inch apart (you’ll probably be doing the decreases every 4 rows). Then work seven of these decrease pairs spaced 1 inch apart (probably every 10th row). You will finish these neckline-defining decreases at about the same point where you need to commence the shoulder decreases. Finish the shoulders as directed for the back.

Finishing: Seam shoulders together. Starting at a shoulder seam, pick up 132 stitches around the neckline, taking care to space them evenly, and work in K2, P2 ribbing. Count off the stitches to make sure that the center two that will be in the point of the V end up as a K2 pair, and place a marker between them. Work the mitered join at the center front point of the V-neck by knitting the last two stitches just before the marker, and working a SSK immediately after the marker – do this EVERY OTHER row until the ribbing measures 3/4 of an inch deep. Bind off. Sew side seams. Pick up 144 stitches around each armhole and work even in K2, P2 rib until ribbing measures 3/4 of an inch deep. Bind off and finish ends. If you wish, reinforce shoulder area with a strip of seam binding, sewn by hand to the inside of the sweater to cover the shoulder seams.

O.K. Clear as mud? Now for the kicker. I need to work a size 46, slightly longer, with a bit of a center back neck scoop out (he doesn’t like the straight across the back of the neck bind-off). Plus I want to tinker with the depth of the V. How I do that alchemy is next.


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MORE HISTORICAL KNITTING – 1941 MAN’S VEST

Another historical knitting project is in the works. Yes, I’m also still working on the leaf pullover and am almost finished with the back. But rare special requests from wiseNeedle’s technical wizard take priority. The Resident Male (TRM) has requested a particular vest from the 1941s vintage Minerva troop knitting folio he gave to me for the holiday.

minerva.jpg

minervavest.jpg

This is a very plain garter stitch vest. It has slightly set in armholes, and K2, P2 ribbing. He’d like the V-neck opening to be a bit lower, but other than that, he likes the slim fit and style.

Now knitting this ultra simple thing will not be a straightforward as one might think. For starters, the leaflet offers up only size 40, and TRM is a 46. On top of that, the pattern is particularly sketchy, and not in a format used widely today. (More on this tomorrow). I could just look at the picture and then come up with something from scratch, fobbing it off as the real thing, but that wouldn’t be as much fun as trying to redact the original, keeping as close as possible to the 1941 instructions.

Let’s begin by looking at the materials specified – Athena Noninflammable Needles size 6 and 7, plus Minerva Quality Knitting Worsted – 6 skeins. I am delighted to report that this pattern DOES include specific gauge – 4.5 stitches = 1 inch, 10 rows = 1 inch. Gauge is not always included in these older patterns, and having it makes a huge difference.

The size 6 and 7 needles are about right for the stated gauge and are probably comparable to modern US 6 and 7, but an exact match is irrelevant. I need to use the needles I need to achieve the stated gauge. The sizes suggested in any pattern (not just this historical one) are supposed to be starting points for your own swatching purposes, not absolute dictates. It doesn’t matter a whit if you actually end up using 4s and 6s or 7s and 9s – so long as you achieve the specified gauge, your garment will fit as the pattern author intended.

Why “noninflammable” in the name of the needles? Prior to the early 1940s time early pre-plastic needles were either Bakelite or cellulose based. Cellulose needles were easy to ignite and burned quite hotly. The Athenas were probably either Bakelite or a new material (possibly nylon based), that melted rather than ignited when exposed to flame.

Now, “Minerva Quality Knitting Worsted – 6 skeins” is a bit more problematic. How much yarn is that? What would be a modern equivalent? How much do I need?

From the look of the picture, it’s clear that the yarn is a plain, smooth finish multi-strand yarn. If this pattern was knit in stockinette, I’d guess that it was a heavy worsted yarn, But it’s in garter stitch, which enlarges gauge somewhat, so I suspect that the yarn used is lighter than that, perhaps a true worsted with a native stockinette gauge of 5 stitches per inch. Possibly even a DK, with a native stockinette gauge of 5.5 stitches per inch. (True DK might be pushing it, as I’m not sure I can get 4.5spi with garter in DK without the fabric looking limp and loose).

More noodling is needed here. To start, I have a rough idea that a man’s sleeveless vest in size 40 should take approximately 900-1000 yards of worsted weight yarn. I base this on my Nancy’s Knit Knacks yardage estimator card, plus confirmation from Sweater Wizard, and from personal experience. If the original pattern called for 6 skeins, that would mean each skein would be around 150-166 yards. My absolute textbook standards for worsted weight yarns are Brunswick Germantown and Cascade 220. Both clock in at 220 yards per 100g (3.5 oz) or 110 per 50 g (1.75 oz). By contrast, DK weight smooth finish classic Rowan yarns tend to be between 240 and 255 yards for 100g (120 to 127 for 50g).

A web search on “Minerva Knitting Worsted” brings up an article on translating a 1934 vintage pattern, which calls out a yardage of 152 yards for 1.75 oz. Now 152 x 6 = 912 yards – within the target range, but 152 yards for 1.75oz (50g) sounds much lighter than worsted. I also find Columbia Minerva worsted on the Vintage Knits yardage chart. There it’s listed at 280 yards for 4 oz. That works out to 245 yards for 100g (3.5 oz), or 122.5 yards for 1.75 oz. Still more than Cascade/Germantown’s 110 and closer to DK than I expected when I started looking.

So to sum up my yarn weight findings, I’m now leaning to the light worsted/DK end of available choices, but without truly solid confirmation. Obviously intensive swatching is the next step. I want to make this vest out of stash-aged yarn. I’ve got a couple of choices on hand which I will detail in the next post.


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VOYAGEUR’S CAP/LIBERTY HAT/FORAGER’S HAT

My forager’s hat is finished – a nice big modified stocking cap with a blunt end and a double-thick self-lined brim (no ribbing). The only thing left to do is to find out if my re-enactor pal wants the optional big honking tassel at the top or not. Here you see it modeled by Smaller Daughter. This is really an adult size hat. It’s not stretched at all on her head.

forager-3.jpg

I used a very dense deep teal hand-spun yarn 100% wool yarn. I purchased it from an outside vendor at a local spring farm festival held at Drumlin Farm in Concord, MA. This yarn had no name, and the spinner (selling her own products) didn’t include a card with the sale. The gold is a fragment of another single of similar weight. I know that the gold is Merino, but I don’t know the fleece type of the teal, but it’s scratchier than the gold (but not too much so to limit wearing).

My yarn has quite a bit of slubbing, and looks like the color was produced by aggressively combing together black and teal dyed fibers prior to spinning (some of the slubs are clearly one or the other color, others are blended). It’s not bad, but it’s not uniformly good, either. The staple is short and the twist is uneven. As a result it breaks easily. The good news is that it also splices easily. In terms of weight, it counts out to 15-16 wraps per inch, which lands it in between fingering and sport in weight.

forager-4.jpg

forager-5.jpg

You could use a lofty sport, knit down to gauge, or a very dense fingering – something thicker than a standard sock yarn though. I think the Regia and Socka style European sock yarns would be too thin for this. My hat weighs in at about 90 grams, which is about right as I used all of one 50g skein plus a bit more than half of a second. I haven’t made a tassel yet so I can’t estimate how much more yarn would be needed for one.

If you are making a Voyageur’s hat – they were most often deep red. Liberty caps were most often red or blue. Sometimes liberty caps had patriotic mottoes knit into the brim area. “Don’t Tread on Me” would work. An aside – Older Daughter tells me that people wanting to cosplay Link from Legend of Zelda would also want one of these hats, but in green and with a bit more of a pointed rather than rounded end.

This patten is a transcription of my working notes. I haven’t test-knit a second item from them, so mistakes are certainly possible.

Voyageur’s Hat/Liberty Cap In the Style of the Mid-1700s

forager-6.jpg

Materials:

  • Roughly 90 grams of a heavy fingering/light sport weight yarn, with a recommended label gauge of 6.5-7 stitches per inch (this does not include any yarn for a tassel)
  • Waste string for provisional cast-on
  • Double pointed or circular needles – US#0 (2mm)
  • Extra circular or double pointed needle to hold stitches while fusing the brim US #0 (2mm) or smaller
  • Tapestry needle for ending off
  • Five stitch markers
  • Optional: A graph of a motto or design that is no more than 30 rows tall
  • Optional: A 4-6 inch long tassel made from the same yarn as the hat, and a small holed button (not a shank button) to sew it onto on the hat’s inside as a reinforcement.

Gauge and Dimensions:

  • Taken over stockinette on US #0 (2mm) needles – 6.75 stitches and 9.5 rows per inch
  • Finished hat will fit most adults. It’s 21 inches across the bottom opening (stretching to fit easily on a 23 inch head). It measures roughly 17.25 inches from brim edge to top.

Using a provisional cast-on, cast on 130 stitches. Distribute on DPNs or if you’re using the two-circ method – onto two circular needles. Knit 32 rounds, then purl two rounds to create a fold line. If you are inserting a pattern follow the optional directions below. If not, skip to the no design instructions.

If inserting an optional graphed colorwork design. Your graph can be worked in stranding or intarsia, but must be no more than 30 rows tall. For best proportions and an authentic look, I suggest single color (plus background) patterns of no more than 20 rows in height. My X is 16 rows tall). In terms of horizontal placement, the hat’s brim finish ensures that there is no visible jag where the cast-on round begins, and there is no front or back, so don’t agonize about centering the pattern in any one particular spot. Subtract your graph’s row count from 32, then divide the result by two. Knit that many rounds before starting your graph. Knit the remainder after the graph is complete. To prepare for the next step, look at your colorwork area. Take a moment to tug any extra loose ends so that the appearance on the front is as neat as possible. If any are particularly unruly, thread them onto a tapestry needle and take a little sewing stitch to secure them. So long as you flick the loose ends right and left so that there is no giant lump of strands in any one spot, you don’t need to take the time to end them all off neatly.

If not working an optional graphed colorwork design. Knit 32 rounds.

All knitters. At this point you are ready to fuse the brim. The knitting done before the fold welt will become a self facing, totally encapsulating any loose ends resulting from the optional colorwork. Unzip or unpick your provisional cast-on, threading those stitches onto spare DPNs or a circular needle.

Hold the work folded at the purl welt with the purl sides inside. Then knit around one row, knitting each stitch from your active needles along with its complement on the needle holding the now awakened stitches from the provisional cast on. At the end of this row you will have the same 130 stitches left on your active needles, and the brim will be completely fused to the hat body with all ends neatly out of sight.

Continue knitting in stockinette (all knits) until your hat measures 8 inches when measured from the bottom of the purl welts at the brim’s opening. On the last round before you begin the decreases, place a stitch marker every 26 stitches

Decrease rounds:

Round 1: (Knit 24, K2tog)5x – 125 stitches remain (You will be knitting to two stitches before the each stitch marker, then working your K2tog)
Knit 10 rounds
Round 12: (Knit 23, K2tog)5x – 120 stitches remain
Knit 10 rounds
Round 23: (Knit 22, K2tog)5x – 115 stitches remain
Knit 10 rounds
Round 34: (Knit 21, K2tog)5x – 110 stitches remain
Knit 10 rounds
Round 45: (Knit 20, K2tog)5x – 115 stitches remain
Knit 5 rounds
Round 51: (Knit 19, K2tog)5x – 110 stitches remain
Knit 5 rounds
Round 57: (Knit 18, K2tog)5x – 105 stitches remain
Knit 5 rounds
Round 63: (Knit 17, K2tog)5x – 100 stitches remain
Knit 5 rounds
Round 69: (Knit 16, K2tog)5x – 95 stitches remain
Knit 5 rounds
Round 75: (Knit 15, K2tog)5x – 90 stitches remain
Knit 5 rounds
Round 81: (Knit 14, K2tog)5x – 85 stitches remain
Knit 5 rounds
Round 87: (Knit 13, K2tog)5x – 80 stitches remain
Knit 5 rounds
Round 93: (Knit 12, K2tog)5x – 75 stitches remain
Knit 5 rounds
Round 99: (Knit 11, K2tog)5x – 70 stitches remain
Knit 5 rounds
Round 105: (Knit 10, K2tog)5x -65 stitches remain
Knit 5 rounds
Round 111: (Knit 9, K2tog)5x – 60 stitches remain
Knit 5 rounds
Round 117: (Knit 8, K2tog)5x – 55 stitches remain
Knit 2 rounds
Round 110: (Knit 7, K2tog)5x – 50 stitches remain
Knit 2 rounds
Round 113: (K6, K2tog)5x – 45 stitches remain
Knit 2 rounds
Round 116: (K5, K2tog)5x – 40 stitches remain
Knit 2 rounds:
Round 119: (K4, K2tog)5x – 35 stitches remain
Knit 1 round

The rounded point:

Continue working (K1, K2tog) until fewer than 10 stitches remain. Break the yarn leaving a 6 inch tail. Thread tail onto tapestry needle, and use the tapestry needle to gather up all remaining stitches draw-string style, pulling them together and securely ending off on the inside of the hat. Affix any optional tassel to this center point, sewing it on through a small button placed on the hat’s inside. This button acts as a reinforcement and decreases the chance of the tassel pulling out or distorting the end to which it is sewn.


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UNDER MY (KNITTING) TREE

A happy holiday week to all. I report knitting-related developments here at the world of String. First and foremost, we had a wonderful holiday, full of of friends, immediate family and food. Not necessarily in that order. All cookies and tamales were well received, as were this year’s various knitted gifts. I in turn received a couple of knit-related gifts from The Resident Male.

His first gift was a universe of Clover needles and accessories – a trove he scored on eBay.

xmasneedles.jpg

There’s one of every size 10-inch and 14-inch straight, plus a good sampling of the larger diameter circs, mostly in the 24 inch length, and a couple of crochet hooks and two kinds of stitch markers. A princely gift, and I am looking forward to using some of them in the very near future (see below).

His second gift was a bit more esoteric – three knitting leaflets from the 1940s, also found on eBay:

xmasbooks.jpg

The two in front are troop knitting compendiums, each containing sweaters and accessories for men. The Minerva one has excellent instructions for several types of shooters mittens and marksman’s gloves – some with separate trigger fingers, some with convertible flip-tops. One pattern – a simple garter stitch v-neck vest in worsted weight – has already been bespoken by the giver, and will be knit on my new bamboo needles (see above). Since bidding was hot and heavy on his eBay finds, he asks me to extend apologies to anyone reading here whom he may have inadvertently trampled.

The third booklet contains several very simple but elegant sweaters knit in fingering weight cashmere. While I doubt that I’ll be stumbling across fingering weight cashmere in quantity any time soon, the shaping on the patterns is particularly flattering. Also because sizes are small (typical for the era, when an 18 is the equivalent of a modern 10), adjustment to a slightly larger gauge than 8 stitches per inch will enable easy production in larger sizes.

The final item is a bit of a lagniappe. I did most of my stocking-stuffer shopping at American Science & Surplus. I got all manner of inexpensive silly things for the kids – small flashlights, magnifiers, craft supplies, and the like. (For the record, this site is worth keeping an eye on for measuring tools, scales, calipers, scissors, bags and containers of all types – all things that knitters can use.) While I was there I also got myself a full page magnifier and two packs of military type assorted metal shank buttons. Each pack contained 10, of mixed styles and sizes. Two packs are needed to make up a usable quantity of the larger size buttons. Between two I received enough buttons for four sweaters, the majority bearing Soviet star with hammer and sickle motifs. I also got four Canadian Air Cadets buttons. At under $2.00 total for the entire lot, the price can’t be beat:

xmasbuttons.jpg


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