The world is starting to open up again, but among us there are folk who felt the lockdown most keenly during convention season.
They missed meeting friends, swimming in a sea of fellow fans – regardless of fandom; reveling in the costumes either as a cosplayer or just an appreciative passer-by; viewing films, trailers, and shorts; listening to authors, famous actors or other community celebrities as they reminisce, lecture, or engage in open panel banter; shopping for that special Something that sings to the inner nerd; and more. Like the Game Room. There’s almost always at least one, where folk compete for the sheer fun of it, or sometimes for prizes.
I know many people who live for game rooms, then bring home their favorite games and introduce them to their circle of local friends. This strip is for them, the gamers, be they lovers of electronic formats, the classic card and board games, multiplayer role playing games like Dungeons and Dragons, or the new set of tabletop/parlor games, like Settlers of Catan.
This strip is 134 stitches wide x 28 stitches tall, including the narrow companion border at top and bottom. 2 blank rows are left between this and the following strip.
|Samples||Fabric Used||Stitch||Thread Consumption/ |
|28 count evenweave||Back stitch, 1 ply||Pips are French knots|
|18 count Aida||Back stitch, 1 ply||About 3 yards.|
Pips are French knots
|28 count evenweave||Back stitch, 1 ply||Pips are French knots|
|28 count evenweave||Double running, |
|About 1 yard of blue, |
1/2 yard of yellow,
1/4 yard of red,
1/4 yard of light blue.
The snake eyes
pips are each 2mm paillettes. Other
pips are tiny 1×1
As usual this band plus working notes and hints has been appended to the write-up on the SAL page, accessible via this link or via the tab at the top of every page here on String-or-Nothing.
If you are working our Epic Fandom SAL either as a whole or as a strip excerpt, please let me know. It gives me great joy to see how my “pattern children” fare out in the wide, wide world, especially when they meet up with creative, playful people.
Band 6 be released on 23 November in the Enablers Facebook group feed, then echoed here on or about 7 December.
The latest band! A narrow one to provide a bit rest and relaxation following on the heels of the ravaging pirates. This is a quickie and should take most folk less than the two weeks allotted for its completion.
Palm Cluster is based on a visual family of historical designs, but is my own, and does not directly replicate any single one of them. Feel free to work it in monochrome, using variegated floss, or in multicolor.
I’ve had some questions from folk who find themselves unable to make the commitment to work the entire Epic Fandom sampler, but are in love with specific strips and have asked about working them up separately.
I answer if it’s for your own personal pleasure, please go ahead. Put these on cuffs, collars, napkins, tote bags, small pouches, or add them to your own samplers. I just ask that you contact me if you are considering the distribution of any pattern that includes my strips (or any of my other charts or designs) either for free or for sale. And as always, a link back to String-or-Nothing if you post about your piece would be deeply appreciated. I derive great joy from seeing what mischief the pattern-children are up to in the company of the creative.
Full info on stitch count and thread consumption plus downloadable PDFs for the charts released to date are provided on the StitchAlong page here (also reachable via the tab at the top of every page on String). I’m stacking all of the SAL info on that page, so scroll down to the newest info at the bottom.
Band 5 was released on The Enablers group on Facebook today, and will be echoed here for posterity on 9 November. Happy stitching!
It’s been a busy couple of months, what with the release of The Second Carolingian Modelbook, the debut and continuance of my Epic Fandom Stitch-Along, plus various home improvement projects, and family celebrations.
We had a great time in Buffalo, at the cooperatively planned and executed three day extravaganza for my mother-in-law’s 90th birthday. The whole family pitched in, with backyard gatherings under a big tent that included two cookouts and a football afternoon, with the game projected for all gathered to see, plus a gala luncheon at a riverside indoor/outdoor venue, at which a string quartet from the Buffalo Philharmonic played. My in-laws’ family is far flung and rarely has a chance to gather, so it was a grand reunion.
Here is the birthday celebrity with her kids, who are collectively taller, greyer, but no less intent on having fun than they were when they were small and underfoot. Left to right – Dan, Laura, Fernando, Carm, Paul, Susan, and Carolyn.
As an example of the attention to detail in planning and execution is this cookie, made by my sister-in-law Vicky’s daughter Jacqueline. These (in several shapes) were part of each of the luncheon place settings, themed to celebrate Carm’s passions and achievements. Mad skills there.
And now that the birthday present has been given, I can finally post about my Secret Knitting Project of the past two months. I made a dramatic scarf for Carm, in black mohair with sequins, knit from my Spring Lightning pattern, available in the scarves section of my knitting patterns page.
More updates in the days to come, including the great basement overhaul, the landscaping ventures, and a bit of “helping-hands” crochet – not to mention the fourth installment of the stitch-along (Tuesday next – I promise).
I present the third band of our Epic Fandom StitchAlong. It doesn’t matter if the pirates are from Never-Never Land, Penzance or the Caribbean – it’s always good to be a Pirate King. Or Queen. Or Monarch.
Here are our finished samples, courtesy of the flashing needles of our Beta Testers, Heather, Danielle and Callie, plus my own finish. Note that the band looks equally good stitched up just in outline or voided. Working that background is totally optional.
Full info on stitch count and thread consumption, plus descriptions of some voiding methods are provided on the StitchAlong page here (also reachable via the tab at the top of every page on String). I’m stacking all of the SAL info on that page, so scroll down to the newest info at the bottom.
Band 4 will be released on The Enablers group on Facebook on 12 October, and echoed here for posterity on 26 October. Happy stitching!
As promised, we proceed with the second band of the Epic Fandom Stitch Along.
Although the overall theme of this piece is fandom unification in a time when face to face interactions among those who celebrate the nerdier side of life can be difficult, every other band will be more traditional in style. I’ve drawn inspiration from historical pieces for the even-numbered pattern strips, but they are my originals, with no one specific source.
This week’s release is Tulips and Raspberries. Here are four finishes.
Above bits, top to bottom, stitched by beta testers Heather, Danielle, Callie and me.
Full info for the Stitch Along is at the SAL tab at the top of this page, or click here to hop direct. Scroll down to the big yellow BAND TWO subhead to find a downloadable PDF containing Tulips and Raspberries. Background info for the project as a whole can be found in the downloadable for BAND ONE
Feel free to post questions – I’d suggest doing it on the SAL page rather than here, so that any info helpful to future stitchers is easy to find. Feel free to send along progress pix or tag them with ##EpicFandomSAL on social media. With your permission (and proper credit), I’d love to post them in a gallery, so we can fulfill our mission goal of community celebration.
I am delighted to announce that The Second Carolingian Modelbook is finally out and available for purchase!
If you have been following along over the past decade you know that it has been long in the making, and you have seen many (but by no means all) of the patterns it contains here on String-or-Nothing as I play-tested them in my own projects.
To recap for those new to this site – T2CM is the sequel to my The New Carolingian Modelbook, which was published by a disreputable outfit back in the mid 1990s and is now out of print.
Like the first book, it is a treasury of charted designs for needleworkers and artisans. The 75 plates present over 250 individual borders, motifs, or all-over designs. These include both linear designs suitable for double running stitch, back stitch or other similar treatments; and block unit designs, suitable for long armed cross stitch, lacis/buratto, and other solid fill work of the time. Block unit patterns are also useful for modern interpretation using plain old cross stitch, filet crochet, tapestry crochet, or stranded colorwork knitting. There is good representation of designs appropriate for voided (reserva) work – both with and without accompanying linear outlines.
None of the designs in T2CM duplicate those of my earlier book. The majority of the contents are redactions of designs appearing in paintings and artifacts, done to the best veracity I could achieve given the imprecision of many of the originals. My charting methods are clear and easy to work from. All historical works are fully documented, and include the date of reference and inclusion (many of these pieces are subject of ongoing study, and their provenances/dates change as scholars reconsider them). Many are accompanied by discussions of pattern “families” or other observations on origin or use. All original “inspired by” designs are so noted. The book also contains hints on some historical stitching methods, a supplementary bibliography, and a ready reference chart to help users pinpoint the designs by place/time of origin and unit count. And I’ve kept my vow to release the thing in print as affordably as possible.
Now, who might be interested? Well, it’s rather a niche market, to be sure, but potential users include needleworkers interested in creating new works with firmly documented historical origins; stitchers, knitters, and crocheters who delight in the past but want to mine those aesthetics for contemporary use; and mosaic and marquetry specialists or other artisans who rely on graphed inspiration for their own designs.
Is this book suitable for beginners? To be sure, it’s not a how-to piece with clearly defined projects laid out in final form along with shopping lists for materials. But there is a range of patterns presented, from the small and simple to those of mind-bending complexity. I believe that a beginner who has needle, thread, countable fabric and motivation could use T2CM as fodder for self-paced learning, and produce stellar pieces along the way.
So please enjoy! Pass the word! And feel free to send along questions, or post pix of works done from T2CM’s pages. Nothing thrills me more than seeing what mischief the “pattern children” attempt while cavorting with the creative and inspired out in the wide, wide world!.
It’s here! Today is the release of the first band of the Epic Fandom Stitch-Along.
I’ve mentioned this before – it’s my original free band sampler celebrating multiple fandoms, offered up as a way for the nerdy at heart (and those who stitch for them) to come together. This isn’t a mystery stitch-along. You will be able to see what you’re getting into. I encourage experimentation with color and technique. and I will share as many examples of different approaches to the individual bands as I have on hand at time of release (with special thanks to our group of intrepid Beta Stitchers!).
We start off with a giant robot and Kaiju, which should delight fans of multiple Anime and Anime-derived Mecha animations/ live action movies/videos – pretty much everything from Transformers, Giant Robo and Voltron to Pacific Rim, and blissfully inclusive all the way through the spectrum from Gundam to Power Rangers.
Here are four finishes:
(Above bits, top to bottom, stitched by Danielle, Heather, Callie and me)
Full info for the Stitch Along is at the SAL tab at the top of this page, or click here to hop direct. Scroll down to the big yellow BAND ONE subhead to find a downloadable PDF containing Giant Robot and Kaiju, plus background info for the project as a whole.
Feel free to post questions – I’d suggest doing it on the SAL page rather than here, so any info that can help other stitchers will be in one central spot. And feel free to send progress pix or tag them with #EpicFandomSAL on social media. With your permission (and proper credit), I’d like to post them in a gallery, so we can all celebrate together.
Just because I’ve taken a departure from classic stitching and am issuing heretical blackwork patterns for spaceships, robots, and dinosaurs doesn’t mean I haven’t abandoned research. I am also inching The Second Carolingian Modelbook (T2CM) closer to the goal posts.
I continue to find multiple instances of design duplicates scattered across various museums. Here’s a trio. Clearly stitched from the same inspiring pattern. Whether it’s from an as yet unidentified modelbook or broadside sheet, an atelier’s cloth reference sample, or just copied among stitchers hand to hand is impossible to determine. However, this design will be included in T2CM so stitchers of the future can keep this historical “chain letter” going..
First, my own stab at the thing, as worked on my big blackwork sampler. I call it “Leafy-Bricks” for obvious reasons.
The first instance of Leafy-Bricks I stumbled across is in the Boston Museum of Fine Arts, Accession #07.816. It’s a small fragment, but it’s the one on which I based my redaction. They tentatively identify it as likely to be Italian, but do not date it. This snippet was collected in the very late 1800s/first decade of the 1900s during the “Indiana Jones” era of embroidery and lace sample acquisition – the time in which monied families took a season touring Europe, vying with each other to bring back the most exquisite samples of whatever struck their fancy. These collections were eventually donated to major museums to form the backbone of their historical embroidery holdings. The time/place provenances furnished by dealers or middlemen and conveyed with these pieces upon donation are not necessarily to be trusted. Many museums are now revisiting these pieces to correct annotations that haven’t changed in 75+ years.
One interesting thing to note is that the count of the historical ground above is not as square as the count of my modern linen. The design is somewhat squashed left to right and elongated north-south compared to mine, although the unit counts are the same.
The second one is in the collection of the Metropolitan Museum of Art, Accession 09.50.55. Unlike many duplications among museums it’s not an instance of one original artifact having been cut apart for sale to multiple buyers. Not only is the center panel duplicated here, there are also subtle differences in the design, especially in the border. The Met only shows this in black and white and does not provide information on the color used. They date it to the 1600s, and attribute it to Italy.
And third, which I only stumbled upon today. This one appears to be a photo only recently released by the Victoria and Albert Museum, Accession 645-1896. Be still my heart, it shows the design on fragments that were pieced into a wearable apron, providing a use case beyond what can be known from a simple fragment. The V&A also notes that the apron was composed from previously stitched fragments. They label the assembled wearable as 1630-1660, Italian, but it’s unknown what life the embroidered strips had before that usage. Best of all, among their images is one that shows the back. Yup. Double running stitch. And yes, I know they see vases in the composition, but my mind is stuck on describing the center bits as bricks.
Note the stretch across the bottom, seamed together from two distinct fragments. And the butted corner formed by a third, although butted corner treatments are more commonly represented in survivals than are pieces with carefully planned mitered or otherwise customized corners. As far as the design’s manifestation on the apron, it’s very, very close to that on the MFA’s fragment. But it’s not identical. There are small differences in the veining pattern of the main repeat’s leaves which lead me to believe it’s a fragment of another original, and not a leftover from whatever item was repurposed into the apron.
If you’ve spotted other instances of Leafy-Bricks out in the wild or have seen it in a modelbook of the 1500s to 1600s, please let me know.
Oh. And if you are interested in obtaining a copy of The New Carolingian Modelbook (my first and now out of print book), I know it’s hard to find. I don’t have any to sell myself, but on rare occasion someone finds a copy and sends it to me. Just such a copy recently came into my hands. I have sent it on to a charitable auction to benefit the SCA Barony Concordia of the Snows, which recently lost all of its communally held equipment in a devastating fire. That auction will be held on 28 August at East Kingdom Coronation. I do not know if the auction will be web-accessible. If I find out I will update this post accordingly.
Well, having been encouraged and enabled by The Enablers group on Facebook, I’ve finally released the secret project I’ve been working on, and can now post my progress to date.
The Epic Fandom Blackwork Sampler is a very large piece, intended to be stitched by and/or for Epic Fans. It includes strips close to the hearts of many niche interest groups, and will please those who love giant robots, dinosaurs, Dr. Who, Star Trek, Star Wars, retrofuturism, classic bug-eyed monster invasion flicks, snakes, and much more. These theme bands alternate (more or less) with bands that are more traditional in composition, although everything in this project is original.
I have NOT made this a mystery stitch-along because it’s a bit more complex than most, and folk should know what they’re getting into before they commit time and resources. I’ve established a page here on String just for this stitch-along (SAL). Project components will be posted to The Enablers, and will be echoed here on time delay, at intervals over the coming year. Four weeks will be allotted for the larger, more complex strips, and two weeks for the narrower/less complex ones. I am also posting intro material on estimating fabric sizes and thread requirements, so folks can prepare. The first half of that information is on the SAL page, too as of today. More will join it tomorrow. The first pattern band (Giant Robots and Kaiju) will debut on 3 August on The Enablers, and on 18 august will appear on my SAL page, here on String-or-Nothing. The entire project will continue well into 2022.
Not only is this NOT a mystery stitch-along, I want to foster creativity, and am SO looking forward to what mischief can be accomplished based on this offering.
- There are panels that are designed to accommodate voiding – filling in the background behind the motifs, although those panels can stand alone and read well without it. The optional voiding can be done after the foreground stitching is complete, so no decisions to commit to it need be made when the stitcher starts a band with the voiding option. More info on voiding and the many ways to do it will be provided before those strips break.
- There’s no requirement to do the entire thing in a single color, even though monochrome is far more common in traditional blackwork than polychrome. Color choice and placement are entirely up to the individual stitcher. Some options include but are not limited to:
- Each strip in its own color
- Alternating colors between strips
- Using variegated (with back stitch) for one or more strips
- Picking out design features for color highlights (like I did below).
- Working one repeat of a multi-repeat in a contrasting color, so it stands out.
- There’s also a strip intended for customization, to allow signing, dedication, dates, a motto, or inclusion of optional motifs. A design worksheet with alphabets and measured areas will be provided when we get to that one.
- If side borders are desired, go for it, but I am not furnishing those (top and bottom borders would be more difficult to add because my composition isn’t a clean rectangle).
- And last of all, if someone wants to skip a particular panel, or wait until their favorite arrives and work only that one – that’s ok, too. But I won’t be releasing anything ahead of schedule or to special request. If you want a future band, you’ll have to wait breathlessly along with everyone else.
Here’s my own rendition of the thing, to date. This is just the first nine out of the total nineteen strips and some of those are partial. I went for polychrome because I rarely get a chance to do that. I’m using six colors, although you are seeing only five right now. There are light and dark shades of red, green, blue, and yellow. The light yellow will be used in the future for voiding and detail, but I haven’t stitched those parts in yet. You can also see partial voiding in the Pirates strip (#3). I will go back and finish that for the entire band, and eventually fill in the dice on the gaming band and add their pips, but I wanted to lay down as much of the rest of the piece as quickly as possible because I got a late start on it.
Depending on the reception of this piece, there may be follow-ons. So if your favorite fandom isn’t included, there’s always hope.
Oh, and if you are worried that you’ll make mistakes because it looks complicated – don’t worry. I have left mine in, including a quite massive one on the pirate strip. I bet that unless you hunt for it, you’d never notice.
Joining in? Please do. I so adore leading folk astray. 🙂
Many years ago, when Elder Offspring was small, Lotus Development (her dad’s employer) offered a spring break day camp for employees’ children. The Boston Globe covered the new benefit, and posted an article with photos of the camp’s day trip to the Boston Museum of Science.
She taped the page on her door, with big label in red crayon that read “I AM FAMIS!.”
I recently found that page, minus the sheet of notebook paper with the annotation.
Well, now I am FAMIS, too.
Brinda Gill interviewed me a while back for this article, posted today to the Selvedge Magazine’s blog.
I am very grateful to Brinda, but still parsing the feels about tooting my own horn.