MORE DOODLING – DUCHROW HEART EDGING AND MITERING A CORNER

Yet another spate of horrific deadlines has washed past me. I survived (barely), but I haven’t had much time to knit.

I’m still working on that second lace doodle scarf – the one composed from patterns out of the Duchrow books. (Which I wholeheartedly recommend for lace fanatics.) I’ve finished the center panel, and have applied the edging down one long side, around the narrow end, and am now starting back up the second side:

Doodle2-2.jpg

The edging in this case is a bit unusual. It’s predicated on motifs that are somewhat heart-shaped, and sports a very deep dag. I managed to fiddle around with the attachment rate so that I ended up at the corner of the body at the exact narrowest point of the edging repeat. That let me miter the corners using short rows. I wish I’d stopped and taken pictures of that process, but I’ll try to explain it sight-unseen.

To miter the corner on this symmetrical lace, I knit this edge onto my main body piece, either directly calculating the pick-up ratio, or (more likely) fudging the rate of attachment so that I ended with my narrowest row (the valley between two points) at the exact corner stitch of the corner I wish to go around. Sometimes this is easy – if I’m a stitch or two off, those can be made up in the last repeat just before the corner. If I’m more than just a couple of stitches off, I might need to rip back a repeat or two and space the required extra rows or skips (or k2togs) over a larger interval. Obviously, it’s easier to fit an edging with fewer pattern rows into any given arbitrary length than it is to fit a longer one, because there are fewer rows between the widest and narrowest points of the repeat.

Back to actual performance. Arriving at the narrowest point of my edging in concert with reaching the absolute corner of my piece, I’d knit the next right-side row of my edging as usual. BUT on the return journey instead of working all the way back to my attachment point, then purling the last stitch of the edging together with one from the body, I’d wrap that attachment stitch (Row 2, Column A). Then I’d turn the work over and head back on the next right side row, taking care to keep my place in the edging pattern. I’d continue like this, but on each successive wrong-side row, I’d work one fewer stitch, and wrap the next one prior to turning. All of this is complicated of course, by the increases and decreases that form the lace pattern itself. Liberal fudging is usually in order to maintain the pattern as established – or a close to it as is possible.

Eventually I’d reach the row that on a “normal” repeat, would be the longest row – the one that happens in the centerpoint of one of the protruding dags. My actual row worked is much shorter than usual because I’ve been wrapping stitches to form my miter. It’s at this point I go back and begin the second half of my short row sequence, working each row one stitch farther along, waking them up one by one by working them along with the wrap at their base. If I’ve done this correctly, by the time I have reawakened all of the stitches on my row, I’ll also have arrived at the narrowest row of my lace edging repeat, and all of my previously parked short row stitches will have been reincorporated. When that happens, my mitered corner is complete, and I can I begin resume working the edging along the side of my piece.

I’ve taken the liberty of translating the historical pattern from Duchrow into modern notation. She doesn’t present a mitered corner for this edging, but I’ve noted where the short row shaping should take place so you can see (more or less) what I am writing about. Click on the image below for a full size pattern. Apologies for the file size.

Heartedge.jpg


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