Knitpals please bear with me, I’m taking an excursion into counted embroidery.
As reported here before, Eldest Daughter has gone off to college. Nagging has gotten considerably harder to do, being parceled out via eMail and texting, so I decided to invest all that correctional energy in a more tangible reminder. I’m doing a stitched piece for her wall. I’m still wrestling with this camera, but you can see the beginnings here:
I’m working on 32 count linen, using discontinued DMC Flower Thread (I’ve got a stitching stash, too). The mark of the tambour frame is very evident, although I took it off so you could see the words. The astute may note that the alphabets used for the first and second lines are slightly different, with the top line being compressed by one unit. That and the non-standard, non-lockstep alignment of the words (including the g encroaching on the N) were done on purpose, to give the thing a less rigid look.
This piece will be multicolor, but in subdued ashen hues, and aside from the motto, mostly in linear stitching like double running. If you’ve got a copy of my book The New Carolingian Modelbook, you may recognize the snippet above “Right” as being from Plate 63:2, a meandering repeat I charted from a late 16th/early 17th century Spanish sampler photographed in Drysdale’s Art of Blackwork Embroidery.
I’m not sure what I will do to fill the cloth. This like so many other of my embroidery pieces is going to grow through accretion rather than planning, but I will not be constraining myself to historical motifs only. Expect some surprises as I find them.
What will target Elder Daughter think of all this? Probably that she’s being nagged in front of the whole Internet…