DO RIGHT AND FEAR NO MAN – SAMPLER COMPLETE
Finished!
Very simple completion here: a simple full back with a deep rod pocket at the top, and a hanging stick made from a dowel and two wooden beads. And as hinted at before – the wide green band at the top (the same heavy twill weave cotton that makes up the backing) balances out the wider strip of green embroidery at the bottom. It works. Or so I think. Oh. The sage green fabric? It’s a remnant. Long time readers here have seen it before. The color in the earlier pix is truer to the real thing. There’s no such thing as extra fabric or yarn, it’s all just fodder for future projects.
Elder Daughter takes Do Right back to the dorm in the morning.
NOT QUITE PANIC
It’s been a month that was here at String, with near total immersion in work-related deadlines. Therefore progress on anything else has been minimal. But minimal doesn’t mean “none.” I’m on my last letter of Don’t Panic:
I’m not sure yet how I’ll finish out the piece. Whether I’ll add some spindly double running stitch curlicues to square out the sentiment, to coordinate with the ones built into the closed letters of this font, or if I’ll do something else. But whatever it is, this small doodle is almost done.
The remainder of my holiday weekend will be spent cooking our spin on the usual holiday fare (turkey with chestnut/prosciutto/leek/mushroom stuffing; Chinese broccoli with garlic, glazed sweet potatoes; pumpkin chiffon pie; black bottom pecan pie); enjoying the company of Elder Daughter, home from college and flush with her new semi-independence; finishing off both samplers for hanging; and not being at work.
Things I am thankful for: good children, a husband who likes to cook, that deadlines do end. All the best to the few who follow here, may your holiday season be warm and happy.
DON’T PANIC
Thanks for all the comments and suggestions on my last post! I’ve decided to do two pieces: my original thought of “Any sufficiently advanced technology is indistinguishable from magic,” and another smaller bit of stitching on Kate’s suggestion of “Don’t Panic.” There being only limited time of late due to all consuming work related deadlines, I started on the smaller piece first but I haven’t gotten very far:
I’m using an alphabet I found here on Ramzi’s Patternmaker Charts blog. (Thank you, Patternmaker Charts community!) It’s from an antique Sajou booklet. I’m not sure of the original date of publication, but by the look of the thing, it’s most probably pre-1900.
I picked this particular alphabet out of the dozens on the Patternmaker Charts site because the little diamond lozenges in the verticals of each letter have a nervous, throbbing look, perfect for this piece. The “Panic” part will be on the next line, offset by a half or one and a half letters from the row above, just to maintain that feeling of instability. I’m not sure what else will go on this cloth besides my “Don’t Panic.” I started my stitching in the upper left of the cloth rather than in the center. I will either keep the piece very small, with any fill-in patterns in line with the words, or I will add some smaller patterns to complete a rectangle, with the motto occupying the upper left third of the piece. Like usual, I’ll decide on the fly.
On the Do Right sampler, to answer Charlotte, I can give two answers on why the top line is so narrow. The face saving one is that my plans to finish this out include adding either hanging tabs or a hanging channel of a coordinating color fabric across the top of the entire piece, and the width of that hanging channel will finish out the visual balance of the work as a whole.
The real reason is that when I started I had no idea what was going to happen. I should have worked the first bit I did across the entire top of the cloth. I made my mistake when I finished out the right hand voided panel, taking it to the top instead of ending it in time to go back and complete the ribbon band east-west. Once I had the voided panel in place, and the sampler as a whole was taking on a distinctly balanced though not entirely symmetrical cant, I had to finish the many-motif scrollwork on the left hand side to the same length. And once that was done, I had a bottom-heavy piece with inadequate room at the top of the cloth to work a border wide enough to balance the one at the bottom. I considered a narrow but denser, darker band, but that would have looked out of place. So I opted for something narrow and simple, with a lot of movement back and forth, figuring that I’d make up the missing width in mounting.
Yes, I could have avoided this by carefully drafting out what I was going to do before hand, then stitching up the completed design to specifications. But what’s the fun in that? I know myself and the way I work. Execution of the stitching is fun, but solving problems on the fly is the real joy. Figuring out all of the sticky bits first would leave me with a huge pile of half-finished pieces, many more than I have today. So instead I leap off my needlework cliffs, at risk of dashing to pieces on the rocks below, but enjoying every minute of each flight.
DO RIGHT STITCHING DONE
The stitching on my Do-Right sampler is finished!
Now it’s just a matter of finishing the thing out for display. Probably by backing it with fabric, and inserting a rod and hanging string at the top. For the record, the stitched area is approximately 14.5 x 18 inches, worked at the relatively large and quick to stitch gauge of 15 stitches per inch on 30 count linen. Back when my eyes worked better, I preferred stitching at 25 spi, but so it goes… With luck and deadlines willing, the whole thing should be totally complete and wall-ready in time for Elder Daughter to bring it back to school with her after Thanksgiving break, where it will adorn her wall, admonish her to greater excellence, and annoy the heck out of her roommate, all at the same time.
Knitting visitors here will be disappointed to hear that the itch to stitch has not yet left me, and I’ll be working more of it before heading back to knitting or crochet. I am contemplating another accreted sampler of this type, this one for me.
I’m not sure what to say on the new project yet, although I’m leaning heavily towards Clarke’s third law or Elbert (Roycroft) Hubbard’s “An idea that is not dangerous is unworthy to be called an idea at all,” but I will entertain suggestions of other similarly incongruous yet pithy non-sectarian sentiments. Feel free to post them as comments here. To head off one potential suggestion, I’ve already done one for The Resident Male that features “Do not meddle in the affairs of wizards, for they are subtle and quick to anger.” Eventually I’ll get around to sharing pix of that one here. It’s a long band sampler, done in deep red on cream linen. I doubt that 10% of the people visiting his office have read the saying.
And I’m not sure what the next one will look like. Lots depends on the length of the statement. I’m leaning towards monochrome again, possibly plain black, possibly a single color – deep green or navy blue on off-white linen, but no decisions have been made. I’m also thinking of playing with some of the antique graphed alphabets from Sajou and other European vintage stitching magazines, many of which are available here.
ABOUT 35 MOTIFS AND COUNTING…
Not much progress for all the days since my last post. I blame work, which has a way of expanding to fill all available free time. Still, I have made progress on the Buttery pattern strip, and so far have managed to either find in my notes or invent enough new fillings so that each diamond motif is unique – even the halfies on the pattern strip’s edges.
Here’s a slightly less blurry shot of the whole piece, so you can see how this panel balances the two-tone panel on the right hand side:
You can see that I’m about two courses of motifs away from finishing this strip. Then it’s on to choose something narrow and lacy for the top edge. After that it’s gentle hand wash to remove working grime, and finish or frame.
And in other news (and for as long as this link lasts), other house projects are in the news!





