The permission sampler is rolling right along. At 30 threads per inch (15 stitches per inch) it’s fairly zooming. Here you see the whole cloth. I’m already mostly done with 25% of the patterned area:
That small bit of solid blue cross stitch at the bottom? I hate it and will be picking it out, presently. Originally I wanted to frame the piece top and bottom with a denser border, done in cross stitch. But I don’t like the look. The bottom border will still be blue, and will still span the entire width of the piece, but will be something directional in double-running, instead.
Now for the two newest strips:
Both are patterns from my forthcoming The Second Carolingian Modelbook. The top one is done in two weights of thread – double strand for the red and green sections of the motif, and single strand for the yellow half-cross stitch ground. There’s no historical precedent that I can find for treating the background of a voided piece this way, but I do like the look of the more delicate field against the heavier outlines. It’s something I’ve used a couple of times now. Since there’s no requirement for this piece to be historically accurate, why not play? The pattern itself does have a source – a stitched sample book of designs in the collection of the Metropolitan Museum of Art, with a posted provenance of Spain or Italy, early 1600s.
As for the lower bit, in blue – that one is interesting, too.
Here’s a close-up:
And here’s the source:
This is an excerpt from “Tafel 47” in Egenolff’s Modelbook of 1527. Note that the original is clearly a freehand piece – not graphed. But it translates very neatly to work as a counted pattern. If you look closely at some of the freehand drawings in Egenolff and his contemporaries, you’ll see that (to my eye at least) they were intended to be congruent with counted execution. That’s not to say they couldn’t be done off the count, but with constrained angles, no fine detail, and geometric execution, working them that way is a cinch.
Back to my modern piece. It’s pretty clear that the area below the words will be two columns of strip patterns. I am still thinking of what to do in the top part. I could do more strips of similar proportion. I could do one moderately wide strip (the area there is too narrow north-south for any of the really big patterns in T2CM, believe it or not). Or I might do a collection of spot motifs, or one large all-over. I haven’t decided. More bungee jump stitching ahead, as I continue to design on the fly.