Yaay! A bit of self discipline imposed, and the forever voiding on the meshy lettuce pattern panel is complete. I have to admit that while I adore the look, I am not wildly fond of the hard-pulling needed to achieve it. I might try it again if I ever find a linen that’s the right combo of threads-per-inch plus nice soft and lofty constituent threads, instead of skinny hard-spun ones.
How does this strip fit into the growing project? After all – it has been about 8 years since we’ve seen the whole thing laid out. For the record, I’ve filled about 45% of the available real estate – there’s a lot more to go.
Now for the next. I don’t think I’ve play-tested these dolphins before (another design in the ever-forthcoming T2CM). The original showed them with a squared fill background in voided style, but I wanted something lighter to follow the dark band I just finished. I left off the voiding, but then decided that the bit looked rather spare. My dolphins needed something to play with, so I added the round elements, and am now pleased. A quickie, this bit took just Saturday and Sunday evenings:
I will add the roundels to the dolphin at right of center, but I left it off so you can see the rather unfinished look it had without something there.
After this one? Probably another narrow strip, possibly a bit wider than this one, and possibly darker for contrast. Then after that I have a double running stunner queued, but it’s rather wide and needs a bit more spacer ground between it and the giant meshy lettuce panel.
In the mean time, as I get up close and personal with the frame I am making little improvements to my set-up. For example, the jaw of the Lowery is steel, and well loved by magnets. But it’s not exactly accessible with the large frame extender unit. BUT when I flip the thing over to terminate a thread, it is. Add a strong classic U-shaped magnet, and I’ve got a handy place to park my snips (the red magnet is just behind the red snipper).
My needle minder works quite well, and sometimes I use it to park my threader. It often does double-duty as a holder for my pattern page. But that can get in the way of the stitching area. So I glued a magnet to the flat side of one of my Millennium frame scroll bars – on the flat side (yes, I tested it to make sure the correct side was up – that’s the one that attracts rather than repels the other magnetic goodies I wanted to use):
I can use this as a rather plain needle minder all by itself, or I can park my fancy one there instead of in the hidden spot where you see it now. Or I can use another magnet with it to hold my pattern page. But best of all, I can use it in conjunction with this page holder I picked up years ago (it used to stick on my fridge door, to hold tickets, recipes, coupons, or whatever).
By just gluing on a magnet, I’ve left the door open for all sorts of other magnet-enabled organizers. There are other styles of clips. Hooks and loops with magnetic bases could accommodate scissors, for example. Finally, I’m still looking for it to test out, but because the rare-earth magnet I used is so strong, I’m betting it can hold my smaller flat metal magnet board. That would allow me to use placeholder magnets on my pattern page while the page is displayed right on my work area.
And where to find inexpensive strong-hold magnets? I recommend the geeky source, American Science & Surplus. They are a clearing house for engineering tidbits, science gear, weird surplus items, kids’ educational toys, and other miscellanea. They are especially good for containers, magnifiers, bags, precision scales and measurers, cutting implements, office supplies, and magnets. Like any surplus store, their inventory turns over quickly, so if you don’t see what you want there today, visit again next week.
After reading this post in my inbox I just had to swing by and say i absolutely adore that sampler – totally besotted
Thanks! It’s not done yet. It’s only a little under half done. It’s a lot of fun to pick strips on the fly, to suit a whim. I highly recommend bungee-jump stitching – leaping off into the unknown on trust. 🙂
Bungee jump stitching oh I might steal that expression as it does describe what I do on my surface embroidery sampler
[…] as surface stitching, and not pulled to the max to both totally encase the ground threads and produce the characteristic mesh ground found in so many museum artifacts. Here’s my back showing the grid structure of my […]