Too much stitching left to do. Too little thread. With about a quarter of the stitching remaining I have a problem.
I am using thread I brought back from India. I found it in a shop in the old shopping district in Pune. They specialized in crafting materials, especially beads, pre-embroidered pieces, knitting yarns, and other goodies. But they had a few skeins of what looked like silk floss in one of the display cases. I pointed at it and asked the shopkeeper if he had more. He sent a little boy up into the storerooms, and he came back with a very dusty and crumbling cardboard box full of odds and ends. All of the same type of thread (which turned out to be “art silk” – rayon) but all of very limited quantity. I picked out all of what remained in non-pastel colors, including several multi-skein hanks of deep red, and bought it all, for an astonishingly low price.
As you can see there’s a pile of crimson there. What remains of that pile now is much less –
The wound bobbin in the middle is what I’ve been using (with a caveat). It’s Cifonda Art Silk color number 145. So is the hank on the left. The hank on the right is color number 144. It’s in the same continuum, but a click lighter. At the bottom is flaming cherry red 530, not even close.
The caveat on the bobbin? It’s holding two skeins of 145. Underneath is New-145. On top is Old-145. I wound off the new one, then after stitching the bit below, went on a Wild Hunt, and found one last remaining skein of Old-145. You can’t see the difference between them, right? Neither could I until this happened.
I bet you can see it now. Leaf #3 and part of the interlace below it stands out. I stitched it with the New-145. It’s redder, more garnet in tone than the established work. Clearly the same color number, but a different dye lot (even though dye lots are not labeled ). Even if I could get more of this stuff the chance of matching color with my very-well-aged stock is practically nil.
I will finish out as much as possible with my last skein of Old-145. I may or may not pick out this leaf . Still thinking on that… And also thinking on how to finish out the piece using only what I have on hand. Go for New-145? Go lighter with 144? I’ve seen historical pieces whose stitchers faced the same problem and blithely ignored it. Which is what I will end up doing, one way or the other…