Well, this pattern has wound my curiosity up around itself. The basic design of the Chanterelle scarf is quite simple, but it can look quite different depending on the yarn chosen. I have written it for any 100g ball of fingering/sock weight yarn, and finding out what the various yarns end up looking like when knit up – that’s turning out to be tons of fun.
So let’s start.
So far I’ve used two different Schoppel Zauberball Crazy colors: the autumn/purples mix of the original, plus a lilac/cream/navy mix. The pix below the scarves are photos of the SAME color numbers of Zauberball as the ones I knit from. There is considerable variation between balls of the stuff, but you can get an idea of how the original yarn looked, none the less.
The ends look different because for some reason although the balls were marked with identical yardage, the one on the left was significantly shorter, and yielded only ten trumpet sections, while the shades-of-purple one yielded 11. Go figure… In any case, it’s nice that regardless of how many full sections are knit, the ends still complement the piece.
Here’s the third try. This one is a stash-aged Opal yarn, whose label with its color number has long since gone the way of all things.
You can see that the color runs are pretty wide, and unlike the happy chaos of Zauberball Crazy, the repeat is very predictable. Variation happens because the yardage required to produce one trumpet isn’t in synch with that of the yarn’s printed repeat, so the colors wander up and down the trumpet motifs, and the faux Fair Isle spot manifests differently each time it pops up, shaped mostly by the width of the section where it appears.
I’m now trying for Chanterelle #4. This one is from another stash-aged yarn – another ball that was a gift from the generous Nancys. It’s Schoeller and Stahl’s Fortisimma Socka Color, # 1776 – a red, white, and blue mix. This one looks to have small to medium width stripes.
We’ll see how these stripes manifest. I’ve obviously not gotten this out of my system yet, so I’m sure I’ll be doing some more Chanterelles. Luckily they are a quick and mindless knit, and can be done while watching subtitled movies and shows on TV.
If you want to do up a Chanterelle and would like me to post it, you can find the free pattern under the Scarves section of the Knitting Patterns tab at the top of this page. I’d be grateful for pix of the skein and pix of the finished product, as done above. That will help others decide whether or not this design would work for their beautiful but problematic yarns, too.
Here it is, totally finished, and with a vaguely decent picture (but as yet, unsigned and un-mounted).
The recipient is thrilled, which is always gratifying.
UPDATE: People want the specs on this piece so they don’t have to hunt through previous posts. 30 count evenweave linen ground, stitched over two threads (15 spi). The 6-strand floss is man-made “silk”, rayon actually; a vintage find brought back from India, slightly thinner than standard DMC floss. I stitched all of the foreground using two strands. Some of the background I did in single strand for contrast. Pattern strips with one exception are all from my forthcoming book The Second Carolingian Modelbook. The alphabet is from a vintage Sajou booklet #104 reproduced at Patternmakercharts.blogspot.com. I hemmed my linen by hand before starting.
The reason I haven’t done the last teeny bits is that I’m trying to finish off some end-of-year gifts for the spawn.
First up and already done was the new pair of Susie Rogers’ Reading Mitts, done in a sparkly yarn for Younger Daughter. She’s a fan of the surreal Welcome to Night Vale podcasts. One of their taglines is “Mostly void, partially stars.”
To get the partially-stars look, I used Loops and Threads Payette – an acrylic with a running lurex thread and small paillettes (flat sequins). Both inspiration and enablement are courtesy of Long Time Needlework Pal Kathryn, who sent this stuff to me. Just seeing it sparkling at me kicked off this project. Kathryn’s initial intent was to knit socks from the Payette, but that effort was a no-go. And rightly so. The stuff is not fun to work with, and would make supremely uncomfortable socks. The base black yarn is waxy feeling. The lurex thread breaks easily and is scratchy, and the paillettes can make stitch formation difficult – especially on decreases. Oh, and forget about ripping this stuff back. The lurex snaps. But the look can’t be beat, especially for a big-box-store available yarn.
Yarn aside, this project is a great quick-knit. Both mitts together took two evenings. I used the Payette doubled, and knit the smallest size, which fits perfectly. The only change I made to the original design is eliminating the bulk of cast-on and cast-off. To begin, I work a figure-8 or provisional cast-on. When I get to the last row before the cuff welt, I reactivate the bottom stitches and fold them up, knitting one bottom edge stitch along with its live pre-cuff counterpart. This melds the bottom into the work, and eliminates the final bit of sewing up, and cuts down on pre-cuff bulk.
To cast-off, instead of making a finished edge and then sewing it down, I leave a long tail and fold the live edge inside the work. Then I use that to secure each last-row stitch to its counterpart in the first row after the fancy welting on the upper edge.
Final verdict – the kid loves these. The original design’s pretty welt and eyelet detail is lost in the sequined look and it’s over the top sparkly. But it fits in perfectly with the Nightvale-inspired theme.
Next on the needles is a new scarf for Elder Daughter. As I mentioned in the last post, I’m enchanted by Sybil R’s designs and was determined to make one or another of them. At first we contemplated a different scarf, but rummaging through my stash, we came up with yarn better suited to her Mixed Wave Cowl, an exercise in nested short row enhanced stripes. Here you see the bare beginnings of mine:
I’m using an eclectic mix of well-aged stash denizens, plus a more recent variegated yarn seen here in a rather blue-shifted photo. The black and russet are both Lang Jawoll bought who-knows-when. The claret (again not as purple as it looks here) is Froehlich Wolle Special Blauband, which I’m pretty sure I had when we moved back to Boston in ‘95. The variegated scarf thingy is Regia Creativ one of the unravel-me-and-knit dyed strips, in a mix of autumn colors including chocolate, russet, claret, and burnt orange. The pattern is written for DK, on rather small 3.5mm needles. I’m using fingering-weight sock yarn on 3.0mm needles, which is making a slightly looser fabric.
More on this one as it grows…