I offered to make one of my nieces a pair of socks or an embroidered bit – noting that I would be happy to stitch up any saying, no matter how profane it might be. She was amused and intrigued by the thought of naughty embroidery, padded off to think, and eventually returned with a request that I’d term more cheeky than offensive. True to my word, I’ve plunged in. The pearl-clutchers who sent me private notes decrying my lack of taste for the Covid sampler and removing themselves from following this website are no longer here, so at this point there should be few left to object.

First a method description because folk have asked how I go about starting a new piece.

I selected a piece of ground from my stash – a piece of 32 thread per inch evenweave with the branding “MCG Textiles.” Well, it claims to be 32 tpi, but it’s really 32×38, so some distortion is expected. I did this first so I knew roughly what size I was going to be designing to fit, rather than starting with the design then questing in vain for a piece of cloth of the correct dimension.

Then I and Target Recipient had a chat back and forth on the general aesthetics. We established that green was a favored color, considered overall composition choices, and looked at some candidate alphabets and strip patterns for the borders. Once we had general agreement on the direction for the piece, I set in, using my chosen computer-based drafting method – a home-grown solution based on the freeware drafting and image editing program GIMP. I offer a tutorial for that (including templates) here on String (read up from the bottom because the blogging software only allows newest at the top organization.)

This is what I came up with.

The charts below are deliberately blurred because while they are good enough for me, they would need to be cleaned up for use by others. Plus I am not sure if I want to add them to the permanent collection here. Target Recipient would have to give permission, for one.

For the record, the leaf and twist border is available in Ensamplario Atlantio II. The alphabet used for the initial caps is from Ramzi’s Patternmaker collection of pre-1920s European leaflets, Sajou #160. The body text from an older book on my shelf – Creating Historic Samplers, by Judith Grow and Elizabeth McGrail, Pine Press, Princeton, 1974. Original elements of this piece not published before include the supplemental embellishment around the words, adapted from the flowers on the initial caps, and the corner for the leaf and twist border.

The next step was to choose my colors – DMC 890 for the darker green, DMC 320 for the lighter green, and DMC 816 for the tiny flashes of garnet red.

Now we get to the fun part – setting up the cloth to begin stitching. The first thing I did was to square off the cloth. I unraveled the thing around the edges, removing all partial threads until I had a full span of both warp and weft. Then I carefully trimmed off the remaining “fringes” left from the unraveling process. I’ve written before about the poor quality control on the MCG packaged product, and this sample was no different. It was quite skew in cut and desperately needed this squaring to determine true grain and useable size. In this case, I lost about an inch of width in one direction and about a half-inch in the other. Having done that I cut the piece allowing a generous border all the way around the stitched area dimension.

Cut piece in hand, next I had to make sure it didn’t unravel further. I have to say am not a fan of taping the edges, and I’ve had equivocal results using zig-zag stitch on my sewing machine to secure them. I’ve had the whole zig-zagged strip pull off. I don’t have a serger, so I stick with old fashioned hand hemming. For this small project that took about an hour to do a finger-pressed double turn hem, a little less than a quarter inch deep all the way around. I followed the ground threads as I did this, so my hems are (mostly) even. Since this will be framed or otherwise finished so that the edges won’t show I wasn’t super-exact about mitering the corners perfectly, as I would be with a handkerchief, napkin or placemat.

The last step of preparation is determining the exact center point and adding the basted orientation guides for both the vertical and horizontal center lines. I use a light color plain sewing cotton for this, and I don’t bother to make the basted stitches any particular length long (some people carefully stitch these over evenly counted blocks of the ground threads). Just having the simple lines are good enough for me. You can see them along with a bit of the hem in this work in progress shot:

Now it’s just a matter of transcribing my graphed out design to the cloth, using cross stitch for the wording. I’m using two strands of the DMC floss for maximum coverage.

When I get up to the surround I will probably switch to double running, and work the outlines and veining of the ivy leaves and twist in the dark green. I am thinking of using one of the more open fillings, diagonal, boxy, or steps, for the infilled areas, and doing them in the lighter green. We’ll see if I change my mind and do something else when I get there.

All in all I expect this one to be a relatively quick stitch. It’s not large or complicated. Here’s progress as of last night. Considering I started this on Friday night, it’s flying.

I hope this step by step on beginning a project is helpful to someone. And as ever, if you enjoy my designs, free broadsides stitch-along and books, and my published books, please post pix. Obviously I’m in this for joy, and few things make me happier than seeing my designs being worked up by others.

5 responses

  1. I think it is wonderful that you would do this for

  2. Thank you for your use of written English. It is playful and direct and gets the message across perfectly. You are not offensive – the Pearl Clutchers can take their leave. They are welcome to their own opinion but need not be nasty about invoking their will on others. I hope that this was not the case. Keep on trucking’, as we used to say!

  3. You must have heard of this
    They are on Twitter, instagram and Facebook.

  4. Now that’s inspiring.

  5. My qualms about texts of this nature have nothing to do with the language used. This one is OK, and I heartily agree with your covid piece, but I think I’d quickly lose interest in most of the snarky designs I’ve seen. Maybe that’s why most of them have been small projects.

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