And here’s another finish!
This was a super quick project, barely a week from cast-on to final block. Even though I still have a couple of ends to tuck in, I consider it done.
Younger Daughter bespoke this, having noted the popularity of screaming yellow this Fall season, and a similar trend towards heavier, highly textured knits.
This shoulder/mini shawl is done in machine washable Merino sport weight, from Gems. I used the May Day Shawl pattern by Zabeth Loisel-Weiner, available for free on Ravelry. It took about 2.3 skeins of the yellow. I consider it a very simple project – the instructions and charts were spot on, and very clear. Lots of “bang-for-the-buck” here in terms of visual complexity vs. effort invested. If you are looking for a first serious lacy knitting project, this is not a bad place to start.
That being said, I have to say I detest knitting bobbles and nupps. These are bobbles. I tamed them somewhat by knitting backwards – that is learning to work the back-again bit of each bobble working off of my right hand needle, so I didn’t have to flip the work over to purl back in the middle of each little bump. If you haven’t tried this yet, it’s well worth the learning curve investment for little back-and-forth scraps like bobbles and Entrelac.
A quick word on blocking if I may. Lacy knitting needs to be blocked to within an inch of its life – as tightly as you can. Here’s the before photo, and the mid-block photo:
If you count the 2×2-inch squares of the checked sheet I block on, you can see that pinned out (right), the thing is almost twice as big as it was before pinning (left).
How do I block? I admit I’m not the most precise or assiduous, but I do try, at least a bit to keep things neat and square. The black and white sheet, although an eye-popping Peter Max background is very helpful in estimating and meeting target measurements, and keeping 90-degree angles true. I bought it at a discount/close-out store years ago when shopping for inexpensive bedding for the girls to take to summer camp. I knew that if the sheets survived, they would be perfect for this use. (Plaids, Tattersall checks, and ginghams would also work).
I dampened the knitting, and spread my sheet over an area rug to provide anchorage for my pins. Then I threaded blocking wires across the top of the piece, slipping them into every edge “purl bump.” Then I inserted additional wires along the join line between the edging and the center triangle. I pinned the top wire down first, spreading the work along its length, then stretched the piece down the spine, pinning the pointed junction of the two side wires. Then I pinned the side wires out as far as I could manage, making sure to keep the angles (as measures vs. the checks) true. I had to jockey and adjust them a few times, but eventually I was satisfied. Then and only then did I place a single pin at each of the edging’s points. If I had started with the edging points, the center triangle would have been deformed. Using the wires keep the piece from developing internal “scallops” corresponding to the pins placed in the edging.
No lie – it is tedious. But it’s worth it.
Now on to other things.
I say goodbye to this tiny little embroidered scrap. It’s the finest gauge I ever worked – over 38 stitches per inch on 80-ish or so count muslin, using standard black sewing thread:
It started out as an experiment, to see if I could do a coif at that gauge. Soon after I got started it met with an accident, and was never finished. That was about 35 years ago, easily. Why goodbye? I’ve mailed it off to become part of A Larger Project. The East Kingdom doll project was on display at the 50th anniversary, and still lives. About the only thing people remember me for is that I embroidered, so I am sending this snippet to the curators/creators to be a prop for the doll that represents me. Maybe they’ll make a tiny flat frame for it. That would be sweet. Pix if I get some, I promise.
And finally, another start. I have two balls of precious multi-color yarn – rather pricey Schoppel Zauberball Crazy fingering weight. I adore just looking at them. But it was time to put at least one to good use. So I began casting around for something fun to do with the very long repeat. I’ve tried a lot of the popular projects that use Zauberball. And I didn’t feel like working on some of the others. But then I remembered that I HAD a design of my own. I did up Kureopatora’s Snake in that yarn – a DK weight variegated with a long repeat. It has always been the most popular original pattern on any of my websites. So why not try it with a smaller gauge yarn and explore the possibilities?
Here I am. Following the pattern as written, with three exceptions:
- Using the Zauberball Crazy fingering weight instead of the Noro Kureopatora DK.
- Using size 5 US (3.75mm) instead of 6 US (4.0mm) to make the thing more airy
- Working across 40 stitches instead of the 30 specified.
You can see that both the color progression and shaping are beginning to present themselves. I think that if I had a chance to rename this now established pattern, I’d call it Chanterelle, instead. More on this one as it grows…
Two progress status reports today!
First is the Trifles sampler, in progress as a dorm gift to Younger Daughter, who will need such a thing in a year or so. (I have given myself lots of time for completion). As you can see, the motto is finished, using four different alphabets from Ramzi’s Sajou collection. I’ve played with them somewhat, working in the gold color accents, which are not marked as a secondary color on the charts.
I have also stitched in two small Daleks, to comply with her request, stitched in gold and off white silks. I am up to the surround now. I had originally planned to stitch lots of linear strips, patterns from my upcoming book, but as I alluded to before – I have been seized by Another Idea. The small stitched area just getting underway next to the T of TRIFLES is the beginning. I am going to make an interlocking and overlying mesh of gears of various sizes and configurations, each outlined in a heavier non-counted stitch, but filled in using the geometrics found in my Ensamplario Atlantio. I’ll be using coordinating fall colors for these – a bit of the brown and gold from the alphabet, but also cranberry, silver, and possibly a deep green. The total effect should be rather Steampunk, and a lot of fun.
However as much fun as this piece is, necessity intrudes. A friend of mine is welcoming a baby come the turn of the year. She’s expressed a fondness for traditional baby colors, so I am knitting up a small baby blanket for her. It will be car-seat and basket sized, not crib or reception size, so it is going quite quickly.
I’m using Encore Colorspun worsted, an acrylic/wool mix for maximum washability, this being a baby blanket and all. I’m knitting it on US 10.5 (6.5mm), which is relatively large for worsted in order to bring out the lacy stitch pattern. The stitch pattern itself is adapted from an 18-stitch-wide strip pattern appearing in Knitted Lace Patterns of Christine Duchrow, Volume I. I’ve chosen the narrow strip so that the gradual color changes pool, rather than speckling across the rows. I’ve also chosen to work the stripes horizontally because I only have four balls of this yarn. If I had run the piece the long way I might have risked running out before I reached a useful width. By fixing my width, I can keep going until I have just enough to do an edging, or I can find a coordinating pink or off-white Encore for the edging, if there isn’t enough of the graded color yarn. And finally, being a lazy person and not wanting to sew the strips together, I am using the long-loop join method I learned while working Fania Letouchnaya’s Forest Path Stole to knit the strips together as I march along.
Oh, and yes – those are massively long DPNs – about 12 inches long. I really like extra long DPNs for hats and sleeves, and generally don’t use circulars for anything less than 20 or so inches around. As a result I’ve got a collection of these admittedly unusual needles.
It’s a fair question – “Where have you been?”
The answer is “Busy.”
I’ve been out fabric shopping with friends; trying to establish a regularly meeting needlework circle at a local mall on Fridays; battling the Sacred Dust of India as it tries to repossess the flat; writing a presentation and workshop on the style intersection between Kasuthi embroidery and Renaissance counted work; dealing with assorted technology annoyances; working on TNCM2; trying to parse out more interesting blog entries from my London pix; and playing with various stitching and knitting projects.
First off, I’ve taken up Big Green again. It’s tough to do here. I need very strong light, and even with a small task spot in the living room, the only place bright enough is next to a window in the middle of the day. I long for my comfy chair and spotlight at home.
It’s hard to spot the progress on this strip because it advances at such a slow rate, but it’s there.
Then there’s a new stitching project, as leggy and coarse as Big Green is fine. I bought a pack of ultra-cheap dishtowels at the supermarket, because I always seem to have run out of non-terry ones when I am looking for something to toss over rising bread. One quick wash later, and as expected for bargain basement Indian cotton – they’d faded and shrunk. But wait! That dark indigo one is now a pleasant, mottled chambray. And it’s almost even weave:
So into the stash for some ecru DMC linen floss (which I’ve now learned has been discontinued. It figures…) Because I’m stitching over 3×3 threads to even out inconsistencies in the weave, and because the linen thread is fuzzy with its own rustic character, I decided to play on that folksy appearance rather than going for crisp, tiny detail. The pattern is yet another one that will be featured in in TNCM2. This, when finished out, will be a strip decorating a pocket edge of a zippered stitching caddy. The entire outside of the case will also be worked in one of the larger all-over patterns in TNCM2. Without cutting up the dishtowel, I intend to origami it into a series of graduated pleats, then stitch perpendicular to the folds to make pockets opening “up” and “down”.
The final step will be to fold the entire thing in half, then take an over-long large-tooth jacket zipper (toddler size), and run it around three sides. This should make an organizer pouch that when zippered, lies totally flat. I may sew one of the smaller interior pockets shut, stuffing it with some sort of padding to make pin cushion (perhaps with a finer gauge fabric as liner, so I can put emery into it). And I may also stitch in a couple of pieces of sturdy felt, so it has an integrated needle-book on the inside. The details of this finishing are still idle speculation at this point. Right now, it’s just a quick doodle.
I’ve been busy with knitting, too.
I’ve finished the body of the beaded red lace scarf. I’m drafting up the companion edging, with more beads and mitered corners. I also have to “kill” the acrylic yarn so that it lies flatter. Not quite sure how I’ll achieve this, since the beads make ironing problematic. But I’ll figure it out, even if I have to do up a couple of sacrificial beaded test swatches.
Also in the photo above is the latest pair of socks. That’s pair #5 in the past two months. I work on them while we wait for the school bus in the morning, or any other time I’m waiting on a line, for a car, or find myself idle outside the apartment. After this pair I’ll have to get creative in combining the leftovers on hand. I’ve gone through most of the sock yarn I brought with me. I have a couple of balls of Noro sock yarn left, but I’d prefer to use that for some other accessory. The yarn is beautiful but I prefer wearing (and washing) other sock yarns, for comfort and durability reasons.