Tag Archives: charts

ENSAMPLARIO ATLANTIO II

While I am still struggling with the release of The Second Carolingian Modelbook at an affordable price point, other doodling has not ceased. I took a look at my notebooks and decided that enough had piled up to make a sequel to my free book of linear designs. And so I present Ensamplario Atlantio II.

This one contains over 225 designs. Most are for the filling patterns used for inhabited blackwork (the outlines plus fillings style pictured on the cover), or for all-over patterning:

Some sport small motifs that can be scattered either at the represented or wider spacing:

Others can be repeated to make strips or borders:

And some are just silly:

There are also longer repeats specifically meant to be borders

Finally, there are two yokes meant for collar openings, but if I tease everything here there will be nothing left.

Click to download –> Ensamplario-Atlantio-II  <–
in PDF format (9 MB)

Although Ensamplario Atlantio II is free, I beg you to respect my author’s rights. These designs are intended for individual, non-commercial use. Please do not repost the book or its constituent pages elsewhere. If you want to use its designs in a piece or a pattern you intend to sell, please contact me for licensing. Other than that, please have fun with them.

And (hint, hint) I ALWAYS like to see the mischief the pattern children attempt out there in the wild world. Feel free to send a photo of anything you make from any of my designs. If you give permission, I’ll post it here, too.

UPDATE:

For those who want more and wonder where the first volume of this series is, no worries. Pop over here to download the constituent parts of the original Ensamplario Atlantio. Why four parts then, but one big download now? When EnsAtl first came out downloading a doc that big was more of a problem for some, so I snipped it into pieces for ease of retrieval. I don’t need to do that anymore.

ACCOMPLISHMENTS

And its the cold, snowy part of the Boston seasonal experience.  Which is not improving my outlook much.  But there are bright spots.  We do what we can.

Here’s a free offering (also available via my Embroidery Patterns tab, above).  This motto just cries out to be a sampler, the irony of using an art that in and of itself requires intensive perseverance to accomplish is just too sweet.  Click on the chart image to get the full JPG, formatted for 8.5 x 11 inch paper. (Finished stitching sample courtesy of long-time friend Gillian, who was the first to post a finished piece picture.  Her’s is on 14-count Aida, finished post-wash size of stitched area is about 7″ x 9″.)

nevertheless       Gillians-Finish

And here’s the finish from Edith Howe-Byrne on even weave, showing her variant treatment of the concept, using other counted stitches and beads (she’s leaving in the gridwork so she can use this piece as a reference for additional projects):

Ediths-finish Edith-3
Edith-2

The alphabets used are (more or less) contemporary with the women’s suffrage movement – found on Ramzi’s Patternmaker Charts site, among his collection of vintage Sajou and Alexandre booklets.  The particular one I used for all three alphabets is here. The border is adapted from one appearing in a 1915 German book of cross stitch alphabets and motifs, in the collection of the Antique Pattern Library.

We all do what we can, and I encourage anyone with heartfelt opinions to use their time and skill set in service, as they see fit.  Even if you don’t agree with me, filling the airwaves with positive messages rather than caustic imagery can’t hurt.

If anyone stitches this up and wants me to showcase their effort, please let me know.  I’ll be happy to add pix of your work to the gallery here.

On my own  end, I have been productive as well.

First finished (but not first started) – a quick shrug.  Possibly even for me.

Fuzzyshrug

This is knit from the generous bounty resettled upon me by the Nancys, for which I continue to be grateful.  The multicolor yarn is older Noro Nadeshiko, a blend with a hefty dose of angora, along with silk and wool.  It is soft and supple, and although I am generally not a fan of desert colors – is superbly hued, with just enough rose, sage, cream, and grey to be perfect.  The accent edge is done is another of their gift yarns – two balls of a merino wool variegated single, worsted weight.  I held it double for extra oomph.  One thing to note about the Nadeshiko though – it sheds.  A lot.  And the Office Dogs where I work like to sniff it (it probably smells like a bunny).

The pattern is Jennifer Miller’s Shawl Collar Vest – a Ravelry freebie.  It is a no-seam, quick knit, written for bulky weight yarn.  The thing fairly knit itself.  Four days from cast-on to wear-ready.  My only criticism is that the XL size is really more of a 12/14.  I can wear it, but it’s very tight, and tends to emphasize attributes with which I am already more than proportionally blessed.  My answer to this problem will be to unravel the green finish rounds, and add about 2 inches of stripey, then re-knit the green.

The nifty pin is an official heirloom of my house.  Long ago and far away, SCA friend Sir Aelfwine (now of blessed memory) made it for me as a cloak pin.  Obviously I still treasure it and wear it when I can.

On the needles is also yet another pair of Susie Rogers’ Reading Mitts, another free pattern available from Ravelry.  I’ve done four pair of these, but never for me.  I rectify that oversight now.

mymitts-1

Obviously, the first one is done.  Now for the second.

The yarn is yet another denizen of the Great Nancy Box – a worsted weight handspun alpaca – chocolate brown with flecks of white and pale grey, from Sallie’s Fen Alpacas.  The photo doesn’t do the yarn justice.  It’s butter on the needles, and gloriously warm.  The only mod I make to the original pattern is using a provisional cast-on, then knitting the cast-on edge to the body on the last pre-welt row (to eliminate seaming).

My typing fingers will be toasty when #2 is done.