While I am still struggling with the release of The Second Carolingian Modelbook at an affordable price point, other doodling has not ceased. I took a look at my notebooks and decided that enough had piled up to make a sequel to my free book of linear designs. And so I present Ensamplario Atlantio II.
This one contains over 225 designs. Most are for the filling patterns used for inhabited blackwork (the outlines plus fillings style pictured on the cover), or for all-over patterning:
Some sport small motifs that can be scattered either at the represented or wider spacing:
Others can be repeated to make strips or borders:
And some are just silly:
There are also longer repeats specifically meant to be borders
Finally, there are two yokes meant for collar openings, but if I tease everything here there will be nothing left.
Click to download –> Ensamplario-Atlantio-II <–
in PDF format (9 MB)
Although Ensamplario Atlantio II is free, I beg you to respect my author’s rights. These designs are intended for individual, non-commercial use. Please do not repost the book or its constituent pages elsewhere. If you want to use its designs in a piece or a pattern you intend to sell, please contact me for licensing. Other than that, please have fun with them.
And (hint, hint) I ALWAYS like to see the mischief the pattern children attempt out there in the wild world. Feel free to send a photo of anything you make from any of my designs. If you give permission, I’ll post it here, too.
For those who want more and wonder where the first volume of this series is, no worries. Pop over here to download the constituent parts of the original Ensamplario Atlantio. Why four parts then, but one big download now? When EnsAtl first came out downloading a doc that big was more of a problem for some, so I snipped it into pieces for ease of retrieval. I don’t need to do that anymore.
On to the tablecloth!
Here’s one full repeat of the pattern I am using for the main lozenge in the center. It’s one of the largest I’ve found. Not the longest – several of the narrower strips beat it there, but certainly with length and width taken together the one with the largest area north/south plus east/west.
I am in the process of adding another panel of the main design (the section between the “ice cream cones”) left and right of what you see here. Possibly two. We’ll see how I feel about proportions after I’ve finished the initial center set.
And I decided to draft my own companion border for this panel, after looking through and discarding others in my collections. While coordinating borders are less common compared to ones that have absolutely no relation to the design elements in the main panel accompanied, they do exist. Here’s an example (Metropolitan Museum of Art, Accession 79.1.14):
I doodled up a couple of possibilities. One didn’t make it off the drawing board. The second I was more pleased with, and began trying it out:
But once it began to make the transition from paper to stitching, I decided I didn’t like the way it was turning out. It’s too tight, dark, and linear. Plus I don’t like the proportions against the main pattern.
So I will pick out this little bit of companion border, and go back to the drawing board. The goal is something lighter, looser, with more white space. And wider – probably twice the width of what I had doodled up before.